Acoustic Tunesmith

Play like nobody's watching, write like you can't get hurt… be the acoustic tunesmith you were born to be

Properly Pushing in Your Bridge Pins Avoids Damaging Your Guitar

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When it comes to guitar care, properly pushing in your bridge pins doesn’t always make the list. But unless you want damage, it’s crucial to follow the easy-to-remember tips below.

The second acoustic guitar I ever owned has been in instrument heaven for decades. But in my mind, I still see the cracks trailing from pin hole to pin hole on the bridge.

No one was there to dope slap me into not jamming the bridge pins in too hard.

Thing is, bridge pins are tapered to fit in the pinholes with friction. It doesn’t take much pressure to seat them in enough to do the job. They aren’t glued or secured in any other way. So, if you have trouble lifting the pins out, someone, I won’t say who, put them in too hard last time.

They should slip out with little effort using the U-shaped notch at the end of a string winder tool. If you hear a sharp snap or loud BONK lifting them out, they were pushed in too hard last time.

You may notice, many bridge pins have a collar near the top. It’s not a gauge how far to jam pins into your guitar. So, don’t drive them in like a stake through Dracula’s chest.

Pushing in bridge pins too hard over time, even if it doesn’t crack the bridge between the bridge pin holes, will widen their diameter. That happens, and your pins stop holding the strings from popping out.

That ain’t good.

It’ll mean it’s time to pay a luthier to do surgery on your guitar.

Follow these 9 tips to keep your guitar out of bridge pin purgatory.

  1. If you have slotted bridge pins, make sure the string is inserted in the pin hole with the slot facing your guitar’s headstock.
  2. Gently push the pin in using only your thumb and finger.
  3. Slightly twisting the pin when inserting it can help set it, but make sure the slot is lined up 90-degrees to the saddle when seated. And take extra care to not put too much pressure on it while twisting.
  4. Alternatively, you can give the endpin the middle finger. Seat it with your thumb and pointer finger, then gently flick your fingernail against the top of the pin one or two times.
  5. Make sure string tension is completely slack when putting endpins in. Pulling the ball end up to the bridge plate after you’ve seated the pin.
  6. Never tap the pin in with an object.
  7. Don’t ram the pin in hard with your thumb.
  8. Glue it if it’s loose? Are you kidding me? No, never ever!
  9. Never shim the endpin for a tighter fit. Take it to a luthier if the bridge pins won’t keep your strings from popping out.

Follow these simple tips, and you should never have an issue with a cracked bridge, or worn-out bridge pin holes.

5 Easy Ways to Eliminate Confusion in Your Lyrics

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There’s nothing worse than pouring your heart out on the page for hours and weeks writing a song, only to have confusion in your lyrics. Your listener cocks their head at your lyric like a puppy at an embarrassing bodily noise.

When listeners misunderstand what your lyrics say, it steals time away from the coming lines. It weakens your song.

Good news.

You can Prevent that from happening in your songs. Just watch out for these five lyrical banditos.

1. Home-made words.

Is it just us? Or is the rate of new words getting a teensy-weensy bit out of hand? Between gaming. Texting. And the urban dictionary exploding just because people are trying for Gold Medals in the Olympic sport of word creation, Google searching is getting a work out.

A recent conversation with a young lady informed me, there are even words created based on miss spellings on online gaming and text messaging.

“They’re becoming a thing,” she tells me.

Well, maybe they’re becoming a thing, but they should stay out of your song until they don’t get a WTF reaction.

It’s cool to keep up with the latest trends. And, there is something to be said for writing into the curve of a trend. But make sure listeners aren’t stuck on one word, scratching their head while the rest of your song rolls by.

2. A character out of thin air.

Years ago, a buddy and I wrote a song about Texas. A fun little tune about Texas pride and how the singer would never leave the Lone Star state.

In the bridge we wrote in some lady named Louise. Just a one liner.

There were no characters anywhere else in the song. She stood out like a breakfast belch at Sunday morning prayer.

It didn’t take long to realize the lyric confused everybody. So, we gave Louise the stage hook.

3. Regional phrases in a global song.

My daughter, a university ESL instructor, texted me today realizing she had just e-mailed a native Chinese Gen Z student telling her to, “Stay tuned.”

My daughter confessed her student wouldn’t understand that phrase.

I used the phrase “cut cross grain” in a recent article. My New York born, and long-time Floridian, friend said she didn’t understand the phrase. She thought it must be a Midwest thing.

Oops….

There’s a fun and helpful podcast called A Way with Words. The two hosts, Grant and Martha, take calls from people about phrases they heard or use, and where they come from.

I’m always surprised.  People will ask about a phrase I swear everyone knows. Until I find it’s exclusive to my little region of the globe.

So be careful not to put regional words in a global song.

4. Mumbo-jumbo.

Is it just us or are you confused by…

“If there’s a bustle in your hedgerow, don’t be alarmed now
It’s just a spring clean for the May queen”
–Stairway to Heaven (Robert plant)

Love the, now classic, tune. It was one of my first fingerpicking tunes I ever learned on guitar, but the lyrics are a bit out there.

Led Zeppelin got away with it because of their up-and-coming notoriety and hooky guitar work.

Still, it’s a good idea to write lyrics that Google won’t display:

Other people asked… What do the lyrics of Stairway to Heaven mean?

If you want us to get what you’re saying in your song on first listen, write something that makes sense. Steer wide from cryptic mumbo-jumbo.

5. Lyrical Bleeding.

Did you know The Eagles singer, Glenn Frey-rest in peace, had two butts?

It’s true. I swear on a stack of guitar chord bibles.

He admits it himself. Right in the song Peaceful Easy Feeling. He said…

“This voice keeps whispering in my other rear.”

See? Told ya so.

Oh wait. I get it. How embarrassing.

He was singing, in his other ear, not other rear.

At Acoustic Tunesmith, we call that lyrical bleeding. Where one-word bleeds into another and… Poof! It becomes a different phrase.

Like the song The Dance, a great song, I love it. But not sure why Ida had to mis the dance.

She did. Garth Brooks said so.

“I could have missed the pain
But Ida missed the dance”

Wait a finger-picking minute. He was trying to say, “I would have missed the dance.”

I get it now. It’s a contraction mistaken for someone’s name who isn’t even in the song.

Sometimes they bleed together where you hear a different word or phrase, and sometimes you haven’t a clue what you just heard.

It took me years to figure out what Dan Seals sang in England Dan and John Ford Coley’s song: I’d Really Love to See You Tonight.

“I’m not talking ‘bout moving in.
And I don’t want to change your life”

He puts the emphasis in the wrong place in the two-word phrase “moving in.”

He sings, I’m’ not talking ‘bout moVIN in.”

Every time that song came on and that part came up, I cocked my ear to the air waves like that puppy trying to understand what he was saying. I finally had to look for the written lyrics.

Use these five simple checks to eliminate any confusion in your  lyric, and keep your listener on track with your song.